In this two-day workshop we will cover an introduction to monotype and some basic principles, followed by an exploration of some unique techniques that will open up new ways of using this traditional medium.
Monotype is known for its painterly quality where a unique print is achieved. It is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface was historically a copper plate, but in contemporary work it can vary from zinc or glass to acrylic and Perspex. The image is then transferred onto a paper by pressing the two together, using etching press, brayer or by techniques with which most printmakers started exploring this medium, such as rubbing with the back of a wooden spoon or the fingers.
We will be using water-based inks, without the need for a press.
DAY 1:
We will talk about how we see the world around us and what ‘landscape’ means to us.
We will explore different ways of applying ink and learn how to create interesting textures using various mark making tools.
DAY 2:
We will look at a limited colour palette and explore the subtleties of tonal work.
We will experiment with different types of printmaking paper and learn how to use its unique qualities to create the desired effect.
In the second half of Day 2 will work on a monotype using the techniques learnt, each participant will walk away with a finished art piece.
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We would like to pay our respects to the traditional owners of the land on which our building stands, their leaders, past, present and emerging.